2024年考研英语一阅读 Text 3 原文翻译及答案解析
本页收录2024年考研英语一阅读理解 Part A 第 3 篇的原文、全文翻译与逐题解析。Part A 共 4 篇、20 题、40 分,是考研英语分值最高的部分,题型以细节题、推断题、主旨题与词义题为主。
Rutkowski is a Polish digital artist who uses classical painting styles to create dreamy fantasy landscapes. He has made illustrations for games such as Sony's Horizon Forbidden West, Ubisoft's Anno, Dungeons & Dragons, and Magic: The Gathering. And he's become a sudden hit in the new world of text-to-image AI generation.
鲁特科夫斯基是一位波兰数字艺术家,他运用古典绘画风格创作梦幻般的奇幻景观。他曾为索尼的《地平线:西之绝境》、育碧的《纪元》、《龙与地下城》和《万智牌》等游戏绘制插图。在文生图AI生成的新领域中,他突然大受欢迎。
His distinctive style is now one of the most commonly used prompts in the new open-source AI art generator Stable Diffusion, which was launched late last month. The tool, along with other popular image-generation AI models, allows anyone to create impressive images based on text prompts. For example, type in “Wizard with sword and a glowing orb of magic fire fights a fierce dragon Greg Rutkowski,” and the system will produce something that looks not a million miles away from works in Rutkowski's style.
他独特的风格现在成为了新推出的开源AI艺术生成器Stable Diffusion中最常用的提示词之一。该工具以及其他流行的图像生成AI模型,允许任何人基于文本提示创建令人印象深刻的图像。例如,输入“持剑巫师与发光火球法术对抗凶猛龙Greg Rutkowski”,系统就会生成看起来非常接近鲁特科夫斯基风格的作品。
But these open-source programs are built by scraping images from the Internet, often without permission and proper attribution to artists. As a result, they are raising tricky questions about ethics and copyright. And artists like Rutkowski have had enough.
但这些开源程序是通过从互联网上抓取图像构建的,通常未经许可且未向艺术家提供适当署名。因此,它们引发了关于伦理和版权的棘手问题。像鲁特科夫斯基这样的艺术家已经受够了。
According to the website Lexica, which tracks over 10 million images and prompts generated by Stable Diffusion, Rutkowski's name has been used as a prompt around 93,000 times. Some of the world's most famous artists, such as Michelangelo, Pablo Picasso, and Leonardo da Vinci, brought up around 2,000 prompts each or less. Rutkowski's name also features as a prompt thousands of times in the Discord of another text-to-image generator, Midjourney. Rutkowski was initially surprised but thought it might be a good way to reach new audiences. Then he tried searching for his name to see if a piece he had worked on had been published. The online search brought back work that had his name attached to it but wasn't his.
据网站Lexica称,该网站跟踪了Stable Diffusion生成的超过1000万张图像和提示词,鲁特科夫斯基的名字已被用作提示词约93,000次。世界上最著名的艺术家如米开朗基罗、巴勃罗·毕加索和列奥纳多·达·芬奇,每人只引发了约2,000次或更少的提示词。在另一个文生图生成器Midjourney的Discord中,鲁特科夫斯基的名字也被用作提示词数千次。鲁特科夫斯基最初感到惊讶,但认为这可能是接触新受众的好方法。然后他尝试搜索自己的名字,看看是否有一幅他创作的作品已被发布。在线搜索结果显示了附有他名字的作品,但并非他的作品。
“It's been just a month. What about in a year? I probably won't be able to find my work out there because the Internet will be flooded with AI art,” Rutkowski says. “That's concerning.”
“这才一个月。一年后会怎样?我可能无法在网上找到我的作品,因为互联网将被AI艺术淹没,”鲁特科夫斯基说。“这令人担忧。”
“There is a coalition growing within artist industries to figure out how to tackle or mitigate this,” says Ortiz. The group is in its early days of mobilization, which could involve pushing for new policies or regulations. One suggestion is that AI models could be trained on images in the public domain, and AI companies could forge partnerships with museums and artists, Ortiz says.
“艺术家行业中正在形成一个联盟,以研究如何应对或缓解这一问题,”奥尔蒂斯说。该组织处于动员的初期阶段,可能涉及推动新政策或法规。一个建议是,AI模型可以在公共领域的图像上进行训练,AI公司可以与博物馆和艺术家建立合作伙伴关系,奥尔蒂斯说。